Amanda Whiting
Jazz Harpist
A virtuosic fusion of jazz, classical and hip hop, at times groove based, at times cinematic. Whiting’s music transports the listener in thoroughly unexpected ways.
Following in the footsteps of jazz harp greats Dorothy Ashby and Alice Coltrane, virtuoso harpist Amanda Whiting brings a fresh, genre-defying approach to the instrument. Classically trained, she fuses elements of jazz, hip-hop, and cinematic soundscapes to create music that is rhythmically rich, emotionally resonant, and entirely her own.
An established presence on the international jazz scene, Whiting is a go-to harpist for both studio work and touring. She has collaborated with a diverse array of artists including Chip Wickham, Greg Foat, Matthew Halsall, DJ Yoda and Rebecca Vasmant, carving out a distinctive voice in contemporary music.
With three solo albums on Jazzman Records, a remix project released through Albert’s Favourites, and a move to First Word Records in 2024, Whiting has continued to expand her reach. She has since released three critically acclaimed albums on the label, along with her latest EP, Can You See Me Now?
Whiting’s innovative approach has earned her a Jazz FM nomination for Instrumentalist of the Year and regular airplay from influential tastemakers including Jamie Cullum (BBC Radio 2) and Cerys Matthews (BBC 6 Music).
Her recent live highlights include headline performances at The Jazz Café, Hootananny’s, Jazz Middelheim, and the legendary Ronnie Scott’s — further solidifying her reputation as a commanding live performer.
A little history:
Amanda has always had a love for pop and jazz and after supporting Jamie Cullum in a local charity event (and consequently recording with Dannii Minogue), her new path was set. In 2013 she returned to RWCMD to study a Masters in Jazz studying under eminent teachers Paula Gardiner, Huw Warren, Iain Bellamy, Dave Cliff and Dudley Phillips (amongst many others).
One of the highlights of her career has been performing at International Jazz festivals across the world with Jazz trumpeter Matthew Halsall and the Gondwana Orchestra. Festivals and venues have included Hamburg, Johannesburg Union Chapel London, Jazz Cafe ( Camden), Pori Jazz66 (Finland), Ghent Jazz festival, London Jazz Festival, Gateshead and AB Belgique, Brussels.
For all festival bookings please contact: JAW Family
Jazz education
In 2020 Amanda was given the honour of having her own Harp Column Academy Studio (a global platform for specialist teachers). Amanda is also the Jazz harp teacher at the Royal Welsh College of Music and Drama, Cardiff, Royal Birmingham Conservatoire and Hull University and has taught at RNCM and Junior RNCM. She has also written a series of new Jazz harp books (Under the name of Pedal Sliders) on the syllabus of Trinity College, London.
“Whiting’s harp, full of flowing, cascading notes, similarly couldn’t help draw comparison to Alice Coltrane: the harp is a rare instrument in jazz, and Alice Coltrane one of it’s pioneers. In the Gondwana Orchestra, the instrument was used to great effect, adding another layer of texture.”
In 2010 Amanda performed with the iconic blues harpist Deborah Henson-Conant
“Amanda’s talent, commitment, and above all her willingness to fully involve herself in the process of collaboration, epitomises the power of the composer/performer relationship. She then sat down and poured her heart and soul into the performance. And the audience absolutely loved her.”
Following a damn fine E.P. of covers – an eclectic range of standards penned by folks from Duke Ellington to Cathy Dennis – Welsh harpist Amanda Whiting releases her long-player, After Dark, on Jazzman. Eleven originals and one remix, with arrangements as sophisticated as those of sometime label mate, Greg Foat. Amanda`s record, mastered to Japanese jazz kissa sound quality, actually makes the perfect partner to Foat`s Dark Is The Sun, which incidentally just got a deluxe 20th anniversary repress.
It would be impossible not to cite Dorothy Ashby`s Afro-Harping as a reference. There’s a classic swing to the set`s syncopation and its contrabass runs. The three, occasionally four, musicians involved make music suitable for an intimate fireside evening for two. Full of a romance that cynics would have you believe was dead. Slow dancing while cymbals crash like waves against breakers, a spiritual tide rising, and brushes race like young hearts. Zing go Amanda`s strings, her virtuoso almost flamenco fingers, in duet with Chip Wickham`s footloose flute. Gently woo-ing one another as drum rolls rush, and then return to calm. In closing DJ / producer, On The Corner`s Door To The Cosmos alumni, Rebecca Vashmant, reworks the title track, adding Nadya Albertsson`s sublime, soulful vocals and scat to its midnight blue ache. Significantly enhancing the already exquisite serenity.
Matthew Halsall and the Gondwana Orchestra
Taz Modi (keys), Gavin Barras (bass) and Luke Flowers (drums)
Ronnie Scott’s with Chip Wickham (November 2021)
A bucket list moment on tour with Chip Wickham (flute), Jessica Lauren (keys), Simon Houghton (bass) and Pax Armada (drums).
“Lost” from the new album out May 2022 on Jazzman records
Filmed at Fieldgate Studios: Aidan Thorne (bass) and Jon Reynolds (drums)
Amanda Whiting
Available for International Jazz festivals
